art prize
The art prize aims to highlight the vitality and diversity of contemporary ceramic practice and to support contemporary creation.
The call for artists is open to art students and/or young artists living in Europe who are not represented by a gallery, with no age limit. It is open to artists with less than 10 years' practice and research in the field of ceramics.
The group show features 10 laureates in an exhibition curated by Jean-Marc Dimanche, during ceramic brussels. Each artist and a selection of his.her.their pieces is introduced to the public within a setup specifically elaborated.
The exhibition is developed to be accessible and visible to everyone: located at the entrance, it is free and open for the public to discover.
Angelika Stefaniak is a visual artist born in 1997 in Jawor, Poland. She graduated from the Academy of Fine Arts in Wrocław (Master's degree in sculpture, 2024). Her practice combines ceramics and textiles, rooted in an intuitive process, a childlike perception and dreamlike distortion.
Inspired by psychology, anthropology and biomorphism, she seeks beauty in the grotesque, creating sensitive and tactile forms that oscillate between sculpture and object. Winner of the OP_YOUNG 2024 programme and recipient of a grant from the Polish Ministry of Culture, she has exhibited her work at OP ENHEIM, Galeria Miejska in Wrocław, Apteka Sztuki in Warsaw, as well as at international events in Łódź and Olomouc.
Danny Cremers works with hand-crafted porcelain. Trained in fashion design at Central Saint Martins, he explores classic forms through subtle imbalances and imperfections. His vases carry a silent tension between freedom and control, with textured surfaces and loosely constructed forms. Attracted by the energy of sketching — open, intuitive, without concern for finality — he seeks to capture this same immediacy in each of his finished pieces.
Faye Papargyropoulou is a ceramic artist and designer based in Athens. In 1992, she began studying art and design, thanks to a scholarship in industrial design. After twenty years as creative director at major advertising agencies, she founded her own agency, ABOUT: CREATIVE AGENCY.
In 2020, she took a new step in her creative journey by opening her own ceramics studio, CERAMIC 47. Based in Athens, this personal space for artistic expression allows her to create unique pieces that highlight the beauty of imperfection and challenge traditional notions of form and functionality. Through her work, she combines the past and the present, reflecting a deep appreciation for art, nature and contemporary design.
Kira Fröse is a visual artist specialising in sculptures and installations made from glass, ceramics, plaster and found objects. In 2017, she obtained a Bachelor of Fine Arts (sculpture) from the AKI ArtEZ Academy in Enschede, the Netherlands.
From 2018 to 2022, Kira lived and worked as an artist in Rotterdam (Netherlands). In addition to her own artistic practice, she also assisted other artists in their studios, including Anne Wenzel, Maaike Kramer and Stephan Marienfeld. Kira Fröse's works are part of several Dutch art collections, including those of the Museum LAM (Lisse), the Museum Jan Cunen (Oss) and the Stichting Kunst & Historisch Bezit A.S.R. & Aegon.
Lorie Ballage holds an MFA from the Bergen Academy of Fine Arts and has exhibited extensively in Europe, including solo exhibitions at Pragovka Gallery (Prague, CZ), Norsk Billedhoggerforening (Oslo, NO), The Wrong House (Kortrijk, BE), and Buskerud Kunstsenter (Drammen, NO).
Her work lies at the intersection of ceramic sculpture and immersive installation. Her practice explores water as both material and metaphor, combining hand-formed ceramics with recycled materials, sound, and scenographic narration to create environments that blur the boundary between the familiar and the strange. Lorie Ballage seeks to reveal the poetic and political potential of failure, absurdity and the unused, making ceramics not only a material for fabrication, but a tool for critical questioning.
Marie Pic graduated with a DNSEP in art, specialising in ceramics, from the École Nationale Supérieure d’Art et de Design in Limoges in 2021. A resident of the CAP Saint-Fons workshops since 2024, she explores the notions of passage and threshold through sculptural forms that combine architecture and the plant world. Bas-relief doors and gates, inspired by Art Nouveau or 17th-century jewellery, combine formal rigour with organic motifs, where ornamentation becomes structure.
Ninon graduated from the École Supérieure des Beaux-Arts in Montpellier in 2017 and the École Nationale Supérieure des Beaux-Arts in Paris in 2021. She has participated in numerous group and solo exhibitions and has completed several research and creative residencies. "Ninon Hivert, like an archaeologist, captures the anonymous, the mundane, and gleans the urban. Her ceramics are imprints, plastic translations of familiar and generic forms: clothing, accessories, everyday objects, always close to the body.
She uses clay for its mimetic potential, modelling reality by recreating it, repeating it, in temporalities similar to those of painting and photography, where revelation follows a period of drying and setting. Her practice is one of transcription, in series, but this time resolutely manual: from one object to another, from one material to another, from touch to sight, from memory to gesture. Mimicry is not so much in the final appearance as in the work in progress that is allowed to emerge. Andréanne Béguin.
Santiago Insignares-Martínez's artistic career began in Bogotá and took him to Rome and then San Francisco. Ceramics became his main focus after he moved to Germany, where he studied under Professor Isa Melsheimer at the Muthesius Kunsthochschule. This period earned him institutional exhibitions and participation in the 12th Gyeonggi International Ceramic Art Biennale in 2024.
Santiago draws inspiration from both ancient and modern ruins to create sculptures that offer a critical reflection on systems in crisis. Through playful appropriations and reconstructions, he assembles colourful ceramic structures that explore the relationship between architecture and identity, while evoking nostalgia for childhood building games and the journey to adulthood.
Uriel Caspi earned a BFA in ceramics from the Bezalel Academy in Jerusalem, followed by an MFA from Alfred University in New York. Since completing his studies, he has exhibited in museums, galleries and art fairs in the United States, the United Kingdom, Europe, Israel, Taiwan and Japan.
Uriel Caspi has worked internationally as a university researcher and artist in residence, notably at the Archie Bray Foundation (Montana), the Yingge Ceramics Museum (Taiwan), the EKWC (Netherlands), Cercco–HEAD Geneva (Switzerland), Höchster Porzellan Manufaktur (Germany), and the Northern Clay Centre (Minnesota), among others. His awards include the Hecht Award for Emerging Artist (2019), the Artist Grant (2023), and the McKnight Fellowship (2024).
Born in China and educated in Beijing and Berlin, Walter Yu studied German literature at Beijing Foreign Studies University before obtaining the title of Meisterschüler at the Berlin University of the Arts.
His work has been exhibited throughout China and Europe and has won several awards. Yu explores the poetic intersection between classical East Asian aesthetics and contemporary visual storytelling. With a background in painting, Yu extends his practice to ceramics and sculpture, creating forms that resonate with both scroll painting and architectural space. His ever-evolving glazing techniques seek to establish a dialogue between clay and surface, between the tactile and the pictorial, evoking a pictorial sensibility that challenges the boundaries between mediums.
A jury of renowned professionals is in charge of selecting the laureates.
↘ 2026
After creating and directing the design agency V.I.T.R.I.O.L. for 20 years, he founded in 2008, with Florence Guillier-Bernard, Maison Parisienne, a traveling gallery dedicated to French crafts, in the framework of which he organised more than fifty exhibitions in various European capitals.
At the beginning of 2016, he was called as advisor to H.R.H. the Grand Duchess Heiress of Luxembourg, and worked with her on the implementation of the biennial De Mains De Maîtres, of which he is now general commissioner.
In parallel, he directed, between March 2019, the date of its opening in Brussels, and June 2022, ELEVEN STEENS, a private space dedicated to Art and Matter, open to all areas of creation, be it the plastic arts, design, crafts, architecture or fashion.
Independent curator, he accompanies numerous exhibitions in the field of crafts and contemporary art, whether in France, Belgium and Luxembourg. For the past five years he has been a contributor to the Revue de la Céramique et du Verre and has contributed to numerous catalogues and artists' books.
Wendy Gers is an award-winning Franco-South African curator, researcher and consultant based in the Netherlands. She is Curator of Modern and Contemporary Art at Princessehof National Museum of Ceramics and a Senior Researcher at the Hanze University of Applied Sciences, Groningen, the Netherlands. In Autumn 2024 she was the Theodore Randall International Chair of Art History at Alfred University, New York.
Wendy has taught and directed major exhibitions in Europe, America, Asia, the Middle East and Africa. Among these exhibitions are 2 Biennales, each featuring over 60 artists, and visited by over 1 million people. She is the author of numerous catalogues, book chapters and scholarly articles, including the landmark monograph on southern African potteries, Scorched Earth (2016). Wendy has delivered over 80 public lectures and keynote addresses in 20 countries and has served on various juries and boards.
Gers is the recipient of a PhD from the University of Sunderland; MA in History of Art (cum laude); Advanced University Diploma in Information Studies and a BA from the University of KwaZulu-Natal, South Africa. She completed her Post-Doctoral Research Fellow at Tshwane University of Technology, South Africa. Her research interests include sustainability, decolonisation, and curatorial studies.
Jean-Charles Hameau is Director of the Musée national Adrien Dubouché in Limoges. He has worked at the Musée national Adrien Dubouché as a heritage curator since 2014 and then as head of the collections department since 2020.
A specialist in modern and contemporary art, he has notably overseen the new hanging of the museum room dedicated to contemporary ceramics (2018) and curated exhibitions such as INC(L)ASSABLE, Les 30 ans du CRAFT Limoges: créations contemporaines (2023), Matière lente, Martin Szekely (2022), Formes vivantes (2019) and Avant, ici, Maintenant, l'expérience Non Sans Raison (2015).
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Lionel Jadot, born and based in Brussels, is an interior architect, artist, designer, filmmaker, and adventurer, often all at once.
His work merges disciplines with an alchemical touch, transforming discarded materials into extraordinary creations. “I don’t throw anything, I pick up. I don’t have a green thumb, I try cuttings, unnatural marriages.” Jadot combines past and future, seamlessly weaving wood into metal, mineral into vegetal, and old into new. He builds organic, energy-generating forms that bridge eras and challenge the norm.
His work is a dialogue between time and space, blending retro-futurism, gothic comics, and the cinematic worlds of Moebius, Jodorowski, and Blade Runner. Every project is a fusion of history, innovation, and inspiration. Whether reimagining architecture or creating mutant objects, Jadot’s creations invite you into a universe of subtle, quirky worlds bordering on reality.
For Jadot, design is not just about form; it's about connection. “I take care of the connection between two materials.” He listens to the world around him, allowing its ineffable feelings to guide his work. Through Zaventem Ateliers and his design philosophy, he crafts spaces and objects that grow, adapt, and evolve, always striving to transform the ordinary into something extraordinary.
As an art historian trained at the Autonomous University of Madrid, Maral Kekejian has been weaving a singular trajectory between creation, thought and cultural action for over two decades.
Currently artistic director of Europalia España 25-26 in Brussels, she was recently at the heart of the cultural programme for the Spanish Presidency of the European Union (2022-2024). Curator of the Spanish representation at the Prague Quadrennial 2023, she explores the languages of the stage from both the margins and the institutions. As a lecturer on the Master's in Cultural Management (Carlos III University), she shares her expertise with new generations.
A scholarship holder at the Real Academia de España in Rome in 2021, that same year she will be programming the Picnic Sessions at CA2M. She is an active contributor to committed projects such as "Llanes. Paisajes en folixa", and has been a member of the Performing Arts Council (INAEM).
In Madrid, she has directed the Veranos de la Villa (2016-2019), the Cabalgata de Reyes (2015-2016), and hosted La Casa Encendida for almost ten years. Her career, which spans production, curating and transmission, provides a living map of contemporary creation in Spain and beyond.
↘ 2025 edition
Thanks to institutional partners, additional awards were attributed to a selection of laureates.
The jury of the ceramic brussels art prize 2025 will elect and announce one artist among the 10 laureates presented in the group show on the first public day of the fair.
The artist will be given the chance to present his/her/their work in a solo show during the 2026 edition of ceramic brussels.
The elected laureate will have the benefit of a monograph on his work, supported by the French Embassy in Brussels and produced in collaboration with the young publishing house R.S.V.P.
With this support, the artist has an important tool for presenting and disseminating his work.
Raphaël Emine is the winner of the Ambassade de France en Belgique (fr) award
A new artistic residency in France, in the heart of the Orléans forest in the Loiret region. A space for collective creation centred on nature, to research, exchange, change scale and draw inspiration from a large park surrounded by 10 hectares of forest. It's a space for dialogue between different skills (ceramics, painting, cooking, design, writing, etc.).
The artist will benefit from a 2-month research and creation residency in 2025, including (in particular) accommodation on site and payment of transport costs to the place of residency (located in the Loiret region, 1h30 from Paris. He/she will have access to a fully equipped workshop, raw materials, cooking and, if necessary, a vehicle.
Raphaël Emine is the winner of the Les Ateliers dans la Forêt (fr) residency
Ceramic Art Andenne was born of the desire to perpetuate an initiative linked to the town's history of ceramics. Created in 1988, the event attracted a public of connoisseurs and renowned artists.
It became the Ceramic Biennial in 1992, supported by the Centre Culturel d'Andenne, then Ceramic Art Andenne in 2018, and is fully dedicated to giving visibility to the art of ceramics. It's a great place to talk about, discover, touch, hear and see what's going on in the world of contemporary ceramics in all its diverse forms.
The artist(s) will benefit from an exhibition as part of the Andenne Contemporary Ceramics Festival, newly named ‘Perspectives’. It will be part of one of the 7 exhibitions of the Festival and will be shown in the Espace Muséal d'Andenne from 17 May to 15 June 2025.
Nestled in a former power station in the heart of Brussels, Centrale for contemporary art is the contemporary art centre of the City of Brussels.
It develops a committed vision of art, beyond boundaries, and connected to the city and to society.
Each year it collaborates with confirmed and emerging artists from Brussels and the international scene to produce exhibitions and multidisciplinary projects housed in its various premises.
The artist benefits from an exhibition in the group show in 2026 (09/04 to 23/08), a lump-sum contribution of €2,000 as well as curatorial support, communication, installation and mediation.
Partners: Art Contest asbl, Carte de Visite Artopenkunst (City of Brussels), ceramic brussels, Wolubilis (Prix Médiatine) and the 6 Brussels art colleges: Académie Royale des Beaux-Arts de Bruxelles (ARBA-ESA), École Nationale Supérieure des Arts Visuels de La Cambre (La Cambre), École de recherche graphique (ERG), Institut national supérieur des arts du spectacle (INSAS), LUCA School of Arts, Royal Institute for Theatre, Cinema and Sound (RITCS).
Léonore Chastagner is the winner of the Centrale for contemporary art (be) award
The Centre Wallonie-Bruxelles is an Arts Centre, a catalyst of reference for contemporary Belgian creation and the artistic and cultural ecosystem in its transversality.
Through its resolutely deconsecrated and transdisciplinary programming, the Centre is mandated to disseminate and promote the work of artists based in the Wallonia-Brussels Federation. Thus it promotes emerging and established approaches, from the peripheral to the established. It helps to stimulate co-productions and international partnerships, and to focus on the Belgian scene.
The artist will be given the opportunity to exhibit a work at the Galerie Talmart as part of the Hors-les-Murs Satellite programme organised by the Centre Wallinie-Bruxelles in Paris, starting in September 2025.
Luna-Isola Bersanetti is the winner of the Centre Wallonie Bruxelles-Paris (fr) award
A museum and space for art and creation dedicated to ceramics, Keramis was built on the site of the old Boch faience factory in La Louvière. Its bold, contemporary architecture incorporates an old listed building that contains three giant bottle kilns, the last of their kind in Belgium.
The artist will benefit from a 30-day residency in July 2025 at the Keramis residence. He/she will receive €2,000 and a budget of €500 for kiln hire (energy costs). He/she will benefit from a research residency (with no promise of restitution or publication) and will be able to order material from the museum (order, travel expenses and costs of works produced at the artist's expense).
